4488 безплатни аудиофайлове за "Prelude (or Other Movement) And Fugue"

Ivor's Shop by TRG Banks

Chopin Nocturne in F minor

Octatonic bars from Sarabande from English Suite No 3

Variant of the Habanera rhythm.

Phrase segments in Beethoven Opus 68 I

*Six-hundred-ninety-seventh harmonic on C = E♯. Just: 697/512 = 534.02 cents. Limit: 41-limit. MIDI pitch bend: 113,74

*Six-hundred-fifty-first harmonic on C = E+. Just: 651/512 = 415.82 cents. Limit: 13-limit. MIDI pitch bend: 7,69

*Eight-hundred-forty-fifth harmonic on C = A♭. Just: 845/512 = 867.37 cents. Limit: 5-limit. MIDI pitch bend: 71,53

*68921st harmonic on C = B♯. Equal-tempered: 268921/65536:1 = 87.19 cents. Limit: 41-limit. MIDI pitch bend: 115,59

*Hundred-twenty-seventh harmonic on C = ?. Just: 127/64 = 1186.42 cents. Limit: 41-limit. MIDI pitch bend: 84,91 on M7

Johann Sebastian Bach's Toccata, Adagio and Fugue in C major, BWV 564, in a transcription by Thomas Knox of the U.S. Marine Band, played by the U.S. Marine Band for the album Marine Band Showcase, Volume 2.

6/8 clave, third form (rumba clave)

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

6/8 clave, second form (son clave)

Wohlbekannte Melodie mit Oktavsprüngen

Standard bell pattern.

{{ennoin divisive form. Created by Hyacinth (talk) 05:09, 4 February 2012 (UTC) using Sibelius 5.}}

Rumba Clave Pattern in duple time.

Son Clave Pattern in triple time.

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

langsamere Variante der authentischen Kadenz

clave pattern in 5/2

clave pattern in 7/4

6/8 clave, first form (standard pattern)

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Holberg Suite, prelude, bars 1-2, piano version

Modulations from C major to C sharp major in natural temperatures (just intonation) end at almost the same pitch although there should be a half-tone difference.

Holberg Suite, Prelude bars 31-4 piano version

The A440 (A above middle C) tone, which is used as a general tuning standard for musical pitch. It is also broadcast by WWV, the radio station of the National Institute of Standards and Technology.

Franck Violin Sonata first movement, bars 1-8

Deutsch's scale illusion. Two complex melodies are played, first separately from separate channels, then simultaneously.

Wohlbekannte Melodie

Debussy, the Snow is Dancing, Bars 34-38

Debussy, from 'General Lavine - eccentric'

Holberg Suite, prelude bars 31-4 string version

Melodie.linear + Melodie.salical gleichzeitig

Rumba Clave Pattern in triple time.

Holberg Suite prelude bars 1-2 string version

3-2 Son Clave Pattern in duple time.

Habanera rhythm in the bass (cello) from the "Habanera" aria in Carmen.

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Claude LeJeune, Revoici venir du printemps

The musical rhythm known as son clave. My own work, on 2006-01-08, and public domain.

Campana (Spanish: "bell") bell pattern below a 2-3 clave rhythm.

*Septimal supermajor seventh on C = C. Just: 35 : 18 = 1151.23 cents. Limit: 7-limit. MIDI pitch bend: 50,80 on M7

*Johnston , difference between 5:3 (A) and 53:32 (A) on C = C. Just: 160/159 = 10.85 cents. Limit: 5-limit. MIDI pitch bend: 60,67

Supermajor sixth on B7b. Created by Hyacinth (talk) 20:20, 19 March 2011 (UTC) using Sibelius 5.

Excerpt from the second movement of the concerto poloniosy by Georg Philipp Telemann

*Pythagorean minor tone on C = D- (Ben Johnston's notation). 10:9 = 182.40 cents. Limit: 5-limit. MIDI pitch bend: 47,58